谢霖 Szeryng -《贝多芬:小提琴协奏曲/巴赫:恰空》(Beethoven:Violin Concerto/Bach:Chaconne)Klemperer,PO[FLAC]

谢霖 Szeryng -《贝多芬:小提琴协奏曲/巴赫:恰空》(Beethoven:Violin Concerto/Bach:Chaconne)Klemperer,PO[FLAC]
  • 片  名  谢霖 Szeryng -《贝多芬:小提琴协奏曲/巴赫:恰空》(Beethoven:Violin Concerto/Bach:Chaconne)Klemperer,PO[FLAC]
  • 简  介  发行时间: 2004年
  • 类  别  音乐
  • 小  类  古典音乐


  • 详细介绍专辑英文名: Beethoven:Violin Concerto/Bach:Chaconne专辑中文名: 贝多芬:小提琴协奏曲/巴赫:恰空艺术家: 谢霖 Szeryng版本: Klemperer,PO[FLAC]发行时间: 2004年地区: 波兰简介:
    作曲:L.v.Beethoven, J.S.Bach
    指挥:Otto Klemperer
    演出:Henryk Szeryng(violin)
    乐团:Philharmonia Orchestra
    录音日期:1959/1967
    发行公司:Testament
    CD编号:SBT 1353
    资源出处(Credit):mrcarcar
    专辑介绍:
    谢霖(1918—1988),墨西哥籍波兰小提琴家,是匈牙利着名小提琴大师和小提琴教育家弗莱什(1873—1944)的嫡传弟子,也是其学生中成就最高,影响最大的一位。他出生在波兰的华沙,幼年时受到很好的音乐教育,1933年首次举行独奏音乐会,之后则开始全球性的巡回演出。1946年他第一次到墨西哥演出,迷上了当地的风土人情,于是加入墨西哥国籍,并在墨西哥从事音乐教育事业,减少了音乐会的演出,直到1954年,钢琴家鲁宾斯坦访问墨西哥,为谢霖的技艺所震惊,力劝他重上舞台,到世界各地奉献琴艺。由此,他才再次到世界各地举办大量的演奏会活动。谢霖是最出色的少数几个能真正让小提琴优雅地歌唱的演奏家之—,他的琴声紧密而有活跃,有一种天生的高贵气质,既富有诗意,有强调对作品深度的表达,艺术底蕴极其深厚,这一点从他拉的巴赫、勃拉姆斯《小提琴协奏曲》以及贝多芬《小提琴协奏曲》中都能窥见。他对莫扎特作品的表达也极为出色。谢霖对巴洛克时期的音乐很有研究,他的演奏呈现出纯正的巴洛克风格,优雅而又严谨,为他人所不及,被视为这方面的典范。
    由于曲目过于耳熟能详,因此不再浪费笔墨了
    EMULE搜索,flac+cue+log,多图,感谢原发布者mrcarcar
    ed2k Network release date: April 1, 2006
    From mrcarcar @ http://www.cyndi.idv.tw/forum/index.php
    (此注释为原发布者要求转载时注明)
  • 谢霖 Szeryng -《贝多芬:小提琴协奏曲/巴赫:恰空》(Beethoven:Violin Concerto/Bach:Chaconne)Klemperer,PO[FLAC]_large

精选评论

谢林的贝多芬耶~~找了好久了~~

还有巴赫的恰空,好期待呀~~

谢谢分享~~
楼主发的都是好东西啊
60分钟的录音,文件大161.3MB。贝多芬的协奏曲听了就不适应单声道。但巴赫的恰空尚可一听。
楼主我下了你的这个碟 很好听 可是cue文件无效!! 总是显示文件无效或者不存在。。。我是用千千静听 5.3放的 有什么办法么?
巴赫的恰空~~~~~
cue文件无效..
望楼主更正 谢谢
把Flac的文件名改一下,ape.去掉就可以了。
amazon 上摘录的一篇碟评:
A few months ago I pulled out my old recording of Heifetz playing the Beethoven Concerto with Boston and Munch. I had forgotten how great of a concerto it was and was fairly satisfied with the Heifetz - Munch recording. The only thing I really didn't like were the fast tempos and the sometimes strange phrasing of Heifetz. I then proceeded to look for the "perfect" recording. I first started out with Christian Tetzlaff's new recording and was disappointed by the poor tone of his playing. I then moved to Hilary Hahn's recoding and was missing the musicality the piece needs. I decided to give one more contemporary violinist a try, Joshua Bell. Wow did I make a mistake buying that recording, It was repulsive the way he destroyed the piece. After the Bell recording I tried Francescatti, Oistrakh, Milstein. All close but no cigar. One day as I was looking through my old LPs I came across Henryk Szeryng playing the Tchaikovsky Concerto with Dorati and London. I was stunned by his incredible technique and intonation. I then decided to give his Beethoven Concerto with Haitink. It was again close but a bit slow (the first movement a full 6 minutes longer than Heifetz). I liked what I heard and researched Szeryng some more and came across this recording. I was blown away! This is a live recording of Szeryng with Klemperer from 1959. Though the recording quality is not the best, the music means so much. His technique is amazing and tone unmatched. I am so surprised that Szeryng was not more well-known. He plays the Kreisler cadenza with incredible accuracy and musicality. Szeryng's slow movement is beautiful, his sound is pure and never pressed. The last movement is full of excitement and energy. If you're looking for THE BEST Beethoven I suggest you give this great recording a try. The Bach is a nice addition and is one of Szeryng more musical accounts of the piece. All together this is a great must have CD. I highly recommend this CD for the Beethoven and the Bach.
哪位给翻译一下,太懒了