《巴瑞.J.C.普维斯动画作品集》(Barry Purves)1989-2001 英国动画大师[DVDRip]

《巴瑞.J.C.普维斯动画作品集》(Barry Purves)1989-2001 英国动画大师[DVDRip]
  • 片  名  《巴瑞.J.C.普维斯动画作品集》(Barry Purves)1989-2001 英国动画大师[DVDRip]
  • 简  介  发行时间: 1989年语言: 英语
  • 类  别  动漫
  • 小  类  剧场动画


  • 详细介绍中文名: 巴瑞.J.C.普维斯动画作品集英文名: Barry Purves资源格式: DVDRip版本: 1989-2001 英国动画大师发行时间: 1989年导演: Barry Purves地区: 英国语言: 英语简介: 定格动画的莎士比亚——巴瑞.J.C.普维斯(Barry J.C. Purves),英国的一个动画大师。只能找到这几个作品。引用This brilliant Brit’s sleight-of-hand
    breathes life into wood and wire
    BY GARY MORRIS
    At a symposium on puppet animation in Seattle a few years ago, Barry Purves, an alumnus of the Aardman Studios (whence came Wallace and Gromit), spoke passionately about directing his elaborate puppets as if they were people. This is no mere conceit; Purves’s puppets have a breadth and depth that sets them apart from most work in this field and far indeed from the flashy but frigid creations of most computer animation. In about a dozen years of production, Purves has created a memorable gallery of characters who are so close to real, despite the artificial trappings, that disbelief is willingly, happily suspended. As part of the 2001 Queer Arts Festival playing various venues in San Francisco, the gay puppetmeister himself will make an appearance to introduce his five major works.
    Purves had a brush with Hollywood as head animator of Mars Attacks, but his puppet designs were ultimately scrapped in favor of more easily controlled, less labor-intensive computer images. Judging from his latest work, a tragicomic operatic bio of Gilbert and Sullivan, he’s no worse for the wear.
    The earliest work here is Next: The Infinite Variety Show (1989), which in seven frenetic minutes manages to squeeze in an image or two from every Shakespeare play. The film is a must for fans of the Bard, who could spend some serious time determining which scene is from which play. Purves whimsically envisions Will himself auditioning on stage by enacting snippets from each of the plays to show his skill as an actor. In a typical image, a blue tablecloth (Timon of Athens) is jerked from a table and instantly reborn as a faux ocean on which a toy ship sails (a la The Tempest). The 14-inch Willy, as Purves called his Shakespeare puppet, also takes time to kiss a dummy of indeterminate gender as part of his audition. This is a consistently entertaining work that dazzles even when it’s at its most vertiginous, which is often.
    Three years later Purves released Screen Play. This startling re-creation of a Japanese Noh play (based on the ancient legend of Blue Willow) opens with the narrator asking the audience to Pay attention when I show you young hearts in love, young hearts in pain. What follows is a star-crossed romance between upper-class Takako, whose parents want her to marry a wealthy samurai, and the peasant Nayoki. The film, which uses a stationary camera until the last minute, has spare, elegant backdrops that move on and off the small stage as if controlled by an unseen, godlike force, a resonant metaphor for the lovers’ inability to control their destinies. The story’s romanticism is tempered by a brutal, bloody ending that’s genuinely unnerving, but what remains with the viewer is a convincing otherworld that does justice to its source. Not that Purves is entirely reverent toward the material; it’s unlikely that earlier versions featured naked, anatomically correct actors, as Screen Play does with its puppets. The film, which encompasses a world of Japanese culture in a mere 11 minutes, well deserves the acclaim it’s received.
    Rigoletto
    Opera is obviously one of Purves’s pet interests, as evidenced by two of the works on display here. An evocative and convincing Rigoletto (1993), made for the British TV series Operavox, is one of his most ambitious creations, running 30 minutes and incorporating all that opera’s dramatic fireworks. Some purists — perhaps disturbed at seeing their beloved property enacted by puppets
  • 《巴瑞.J.C.普维斯动画作品集》(Barry Purves)1989-2001 英国动画大师[DVDRip]_large

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